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with ideas, get feedback from her, and have her translate them into two dimensions. There were times when we disagreed on how to do things or when our tastes varied slightly. We always fed off each other, though, and for me, it was about how we could get excited about creating things together. When we'd be selling the clothes at shows, people would ask if we were sisters or friends. She'd hate that. She'd say, "How old do I look?!"Your clientele ranges from teenagers to women in their 60s. Do women of different ages wear your clothes differently? Well, my youngest daughter she's 17 will wear some of my pieces sexy. In the spring 2011 collection there's a roomy brown shirt that women my age and older usually wear layered over a dress or over a long sleeve shirt with pants. Without the layers, it shows the tummy. My daughter will wear it on its own with tight jeans. It's an entirely different look, which is important to me. I want the clothes to transcend all generations. I was more interested in printmaking in school, and now soft sculpture. So I guess I wasn't as interested in that aspect of design. I think her taking over was a good thing. She makes nicer things than when I was involved!What made you switch from printmaking to sculpture? It's about what I can get my hands on. I like making prints, but I don't have access to a printmaking studio easily now that I'm not in school. I did drawings for a while and then started the softer things. I work as a nanny, so I can sew during the day. I'll design, cut, sew, and stuff a bunch of forms at home. At work, when the little boy I look