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prada discount he designed Miami Beach's iconic Fontainbleau Hotel, which came through like a freight train in the 1960s.Q: What were some of your source materials?A: My inspiration came from old Vogue and Vanity Fair magazines. A couture approach was important. These people had the money to have things custom made. I got a chance to look at some original Dior pieces from the mid '50s from the vintage store C. Madeleine's in Miami, including a magenta cocktail dress that was all hand sewn.For the suits, I looked at Men's Apparel magazine from the mid 1950s. I organized everything into notebooks, with sections broken down by type of garment. So every time we needed guidance or to see how high a heel was, we had it. And it wasn't just an academic exercise. It's important in shows like this to stay in the period. And once you're grounded, you can take liberties.Q: It was surprising how risque some of the pieces are for 1959, that skimpy white bikini for example.A: We had a lot of discussion about that bikini. In my reference books, I had sections on the good girls and the bad girls in reference to bathing suits and lingerie. Bikinis did exist then on the Riviera, and they were worn by pinups and Bettie Page types. You could buy them in Europe. I have source material, a photo of a Playboy Bunny in a string bikini on the beach at the Fontainbleau. A certain girl would wear that and it would be Lily Diamond Jessica Marais, playing the wife of the mobster.As the face of the hotel, Vera Kurylenko would never do that. Every time she leaves her apartment, she has to be fully dressed, and made up. As the wife of Ike, she has to make an impression. One of my favorite looks is a yellow playsuit she's wearing out by the pool playing mah jongg with the ladies. She gets a phone call and has to go inside so she puts on this wonderful chevron striped cover up. A lot of these costume choices were character things.Q: Did you make all of the costumes?A: When you are working on such a great volume of costumes, it's important to use some real vintage stuff to convey the period realistically, especially since it's so hard to replicate period fabrics. We rented a lot from Western Costume, Palace Costume and