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record the album as quick as I could and before I knew it we had finished it."Serge, the brains behind Kasabian, is in the habit of crafting each of his band's albums, recording them as demos at home before unleashing them on the rest of the band. As a teenager, he was into techno music and bought a guitar when Britpop took hold in the mid 1990s.Both influences are obvious on the new album, but gone is any hint of the "lad rock" tag so often used by their detractors. Instead, there is a diverse collection of songs that draw influences from the likes of Love's Alone Again Or and The Small Faces."Rock music today should be looking forward. I love the Sixties. I don't believe any of those bands would not be using the music of today. There is so much out there. I think cutting things up and stitching them back together, having a techno drop in a rock song or having a Roy Orbison influenced song before a six minute psychedelic tune is pushing it forward," Serge explains."Anyone who has done anything amazing has influenced me. Not necessarily music. Radiohead's OK Computer is a phenomenal piece of work. Imagine doing something as incredible as that. Or Stanley Kubrik's The Shining. Leonardo DaVinci was obsessed with his anatomy drawings and used to hide the dead bodies under the bed."I wanted to create something so good, in a world where music is worthless because it is free, that people have to own it. It is the same with the artwork. Rather than giving up and thinking that nobody cares."The artwork Serge is talking about it is the album sleeve, by Aitor Throup. The Buenos Aires born artist is also