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courthouse to apply for a business license. They didn't know what they were going to make and sell, but they knew they were going to do something artistic together. "I felt that if I didn't jump into it then, I would never do it," says Weiss, who worked in a doctor's office at the time but had been trained in textile design at UC Davis. "And Hillery was my inspiration. I saw her talent and wanted her to be passionate about it." Sproatt, however, wishes the trip had been undertaken a little differently: "My mom is very impulsive," she laughs. "There should have been lots more planning."The mother daughter team ultimately started designing bags and clothing for their new business, Rebe. They'd discussdesigns together, and Sproatt would draw the patterns. At first, they simply made clothes that Weiss, Sproatt, and Sproatt's two younger sisters wanted to wear themselves. These days, says Weiss, who now runs the line on her own, "The designs are at a much more mature level." They include slouchy, layerable skirts, dresses, and coats that often incorporate Empire waists, Peter Pan collars, and other details from a range of fashion eras.At 19, Sproatt left California for the Maryland Institute College of Art in Baltimore, where she began to produce her own collections of objects, now mostly whimsical, hand embroidered dolls and mobiles. The dolls have a distinctly folk art look, and because each is decorated with a different character on the front and back, they also suggest fairy tale narratives. But Sproatt credits her mother as their original inspiration. "My mom made dolls when I was