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that continued until her final days."I didn't choose to sing for people," Sosa said in a recent interview on Argentine television. "Life chose me to sing."By the 1970s she was recognized as one of the South American troubadours who gave rise to the "nuevo cancionero" (New Songbook) movement _ singers including Chile's Victor Jara and Violeta Parra, Argentina's Victor Heredia and Uruguay's Alfredo Zitarrosa who mixed leftist politics with poetic musings critical of the ruling juntas and their iron fisted curtailment of civil liberties and human rights abuses.In 1972, Sosa released the socially and politically charged album "Hasta la Victoria" ("Till Victory"). Her sympathies with communist movements and support for leftist parties attracted close scrutiny and censorship at a time when blending politics with music was a dangerous occupation _ Jara was tortured and shot to death by soldiers following Chile's 1973 military coup.In 1979, a year after being widowed from her second husband, Sosa was detained along with an entire audience of about 200 students while singing in La Plata, a university city hit hard by military rule."I remember when they took me prisoner," she told The Associated Press in late 2007. "I was singing for university kids who were in the last year of veterinary school. It wasn't political."She walked free 18 hours later under international pressure and after paying a $1,000 fine, but was forced to leave her homeland."I knew I had to leave," Sosa told the AP. "I was being threatened by the Triple A (a right wing death squad that terrorized suspected dissidents during the 1976