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the 30s, a group whose stinging wit gave them the nickname gli Scorpioni.ladies helped me to understand my own city, my own culture and my own upbringing, Zeffirelli writes in his autobiography, brought me to see things with new, fresh eyes. I never forget how they contributed to my growth. Wildly eccentric and passionately in love with Florence and its art, these women became as much part of the Florentine childhood of the illegitimate, motherless Zeffirelli as the Duomo and Dante. Of particular impact on his childhood was Mary O'Neill (Mary Wallace in the film, played by Joan Plowright), who instilled in him a love of Shakespeare: they used to play the balcony scene from Romeo and Juliet together. isn just shiny cars and ice creams as little boys think, says bohemian would be artist Arabella (played by Judi Dench), to Luca, the boy based on the young Zeffirelli. the human form divine. The body beautiful. And you you be part of that world and make to create. To live as those old artists did, Luca, is to share a part in the divine plan. Finally consigned to an camp in San Gimignano, their rather overwhelmed guards have little choice but to let them come and go practically as they please. The dramatic final scene sees the elderly women tying themselves to the historic towers of the town to prevent their demolition by the Germans. Defiant to the last, they refuse to be taken to safety by the Scottish soldiers who liberate the area: Germans and the Italians couldn get rid of us. There is absolutely no reason why we should surrender to the Scots.While it is unclear how much of the film is