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gay life coach recurring comic book could be a visual motif to tie the film together. Tasha puts forth the idea that the movie begin with the camera scrolling backward through the path the hero will take through the course of the story.Tasha, a tap and modern dancer, explains that this idea comes out of a choreography technique called "retrograde," which is designed to expand the creative possibilities of dance, challenge and liberate the minds of dancers, and disabuse audiences of their preconceived notions about movement and beauty. She describes its method in which dancers retrace the steps of an earlier part of the dance, only backward as a conceptual approach to creation that forces, through physical necessity, a change in mental and emotional perspective in both artists and their audiences. Starting the film with a visual version of retrograde, she believes, will set an immediate tone of willful experimentation and unconventionality and let audiences know they're in uncharted territory. To a roomful of artists searching for their own particular approach to filmmaking, the idea sounds like the opening of a door.Realizing the story is beginning to strain under the weight of so many half finished thoughts and threads (and aware that he's ultimately going to be responsible for making the whole thing actually mean something), Will Furgeson begins drawing elaborate diagrams on the board to trace the connections among characters as they pass through the film (see photo, left). The story involves three characters whose lives intersect unknowingly and who are all saved from imminent danger by unseen