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coach lines living relative go through their own versions of the provincial malaise. But what's a wrenching coming of age for Frankie proves deadly for a young black man like Honey.Cornell White Cockerell as Honey, Dorian Lockett as T. T. Williams, Joe Fitzgerald as Frankie's father and Alex Skinner as her brother Jarvis, Hallie Frazer as neighbor Mrs. West and Ruby Buckwalter as her son (and Frankie's younger companion and opponent) John Henry with Dillon Aurelio Peralta, Samantha Cowan, Alisha Ehrlich and Bessie Aolno as more of the neighborhood kids all do their job well as part of the ensemble, supporting the leads and the action. Ruby Buckwalter, a fifth grader, in particular has some hoops to go through as John Henry; already cross dressed, she plays the boy's comic appropriation of Berenice's hat, shoes and handbag with humor, and is a dissonant high pitched voice at the three handed bridge games and discussions between Berenice and Frankie in the kitchen. Both Fitzgerald and Lockett bring strong, if fleeting, male presence to an unusually feminine play.And the action's leisurely at first though, paradoxically, the first two acts, in which practically nothing happens except a lot of talk, are the most absorbing in the play. Then comes the crisis, with the wedding (as everything else, viewed from the sidelines of the kitchen in Jenn Scheller's great set, one that scales a big stage down to the proportions of the characters and their simple actions, lit by Matthew O'Donnell) and all the loose ends really coming loose .McCullers' play is like some of Chekhov, even Beckett; not much happens, and