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off in a more look at me direction, and every glass case here has its marvels. There are intricately patterned reticules made by knitting tiny coloured glass beads threaded on horsehair, in a predetermined order so complicated to devise that it seems impossible: yet here they are. Other bags are delicately embroidered in silk or sewn with pearls and crystals, feathers and lace.Perhaps even more astonishing than the detailed decoration are the materials in increasingly eye catching bags: velvet and straw were surpassed by wood, cactus fibre, ivory, tortoiseshell and iron filigree. The advent of synthetics gave designers a new range to work with, and bags were made from telephone wire, aluminium, steel, Perspex, plastic and vinyl.Horribly fascinating to today's eco sensitive eyes are bags made from the skins of snakes, horses, lizards, stingrays, sharks, eels, zebras, crocodiles and ostriches. The toadskin set is surpassed in bizarreness only by the bag made from an armadillo with face and feet.Form and function had an ever more strained relationship in the 20th century. First class passengers on the Normandie, the world's most luxurious cruise liner in 1935, were presented with clutches shaped like the ship, the clasp shaped as funnels. There's a woven bag like a fish, another like a cupcake, covered in Swarovski crystals, as seen in Sex and the City. Strangest of all is the bright red bag that resembles an old fashioned telephone, and works, too as long as the woman carrying goes no further than the length of its cable.Bags of style for the hepStyle and elegance come in many shapes!