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has in two previous movies, he'll do much of it now against the backdrop of Vietnam and Mayor John Lindsay. Call it "Mad Men in Black."Seven time Oscar winner Rick Baker the makeup effects maestro behind the aliens in "Men in Black," the Bigfoot in "Harry and the Hendersons," the lycanthropes of "The Wolfman" and "An American Werewolf in London," and much, much more says he's never seen the '60s set "Mad Men." But he turned 10 in 1960, came of age in the era and remembers what aliens looked like, back in the day."It was a great time for somebody like me who was fascinated by monsters," Baker says by phone from his Glendale, Calif., studio, Cinovation. "There was that whole monster craze, with all those films on afternoon television, Famous Monsters magazine, those Aurora model kits (and) Big Daddy Roth" the cartoonist and car customizer whose signature character was the bug eyed, tongue flapping, drag racing rodent Rat Fink. "We actually did an alien (for "MIB3") that's Big Daddy Roth inspired not Rat Fink, but that style.""Men in Black 3," comes a decade after the last installment. In it, Agent J trips back to 1969 for 24 hours, during which he must repair a timeline in which his partner, Agent K (Tommy Lee Jones), has been dead for 40 years. He meets the 29 year old K (Josh Brolin), and together they go up against escaped criminal Boris the Animal ("Flight of the Conchords" comic Jem aine Clement), a motorcycle riding psychopath.Barry Sonnenfeld returns as director, with Emma Thomp son now heading the 2012 operation as Agent O.And, of course, Baker's back. "When 'Men in Black 3' started to