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what is a professional coach personal control over your work, in TV and film you ultimately have none. In the end, your performance will be constructed in the editing room and all decisions as to which takes to use will be made by the director and editor. As any working actor can tell you, some takes are better than others and it can be a little jarring when you discover that some of your less favorite ones have been used to create the performance the audience will finally see. Sometimes, when I see myself on screen, I want to scream, hide my head between my knees and withdraw from both SAG and AFTRA. Other times, I pleased and often wonder if my ass was saved by a smart, talented editor.My other issue with TV and film work is sort of an embarrassing one. I know I a character actor, but there is still a small part of me that expects to look like James Franco on camera. That yet to happen, but hope springs eternal. Most of the time, I okay with my appearance, but occasionally a shot will flash up on screen and I be completely mortified by what I see. Is that really how I look? Is my voice that irritating? Is my posture that bad? And look at those bags under my eyes!!Obviously, all these problems could be avoided by simply never watching any of the camera work I do. There no law that says I have to watch. Technically, when the scene is finished shooting, my job is done. My problem is that part of what has always driven me to be an artist is a desire to get better at my job. And I can get better if I don take a look at the work once in a while.Fortunately, I've learned a few tricks over the years to lessen the horror. The