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same paper raced one another to a location at the mere scent of a possible story, because a byline for a reporter meant ownership. And that, too, hasn't changed since the 1940s. Before any police officers pulled up and posted men to guard the crime scene, Fowler and Paegel were standing there, two eyewitnesses gaping not at a drunken man but at a naked corpse lying spread eagled in the grass. Fowler later described what he had seen that morning in his book Reporters: Memoirs of a Young Newspaperman: Then an ivory white thing caught my eye. "There she is," I said. "It's a body all right."There's something about a dead body you couldn't mistake. I approached it like I half expected it to jump up and run after me.As I got closer, I called back to Paegel, who was pulling his Speed Graphic from the car trunk: "Jesus, Felix, this woman's cut in half!"It's difficult to describe two parts of a body as being one. However, both halves were facing upward. Her arms were extended above her head. Her translucent blue eyes were only half opened so I closed her eyelids.As Fowler knelt over the dead woman in the moments before the police arrived, he could see that her fingernails had been poorly cared for, and her chestnut hair, as it appeared from the roots, had been dyed jet black. He also could see that the woman's lower thoracic vertebrae had been neatly severed not sawed because he could see no evidence of bone granules at the separation.Paegel began documenting the crime scene itself, taking a shot of the body in the barren field and another of Fowler, all alone, stooping beside the body. The photos, which