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years of late adolescence resonate so powerfully in the collective imagination? The visual code that's learned in high school our ideas about what's dorky or preppy or slutty or arty, what shifting combination of clothes constitutes the elusive category of "cool" dictates the way we think about fashion for decades to come. So it was that the fall 1999 collections, shown last week in Clickkeyword[Bryant+Park]" Bryant Park and other venues around town, seemed to have more to do with the formative experiences of the designers than the specter of an already hackneyed millennium just around the corner. You could almost pinpoint the age of a designer by the stuff he or she put on the runway.That's not to say fin de si anxiety didn't inform the catwalks on some level. There were plenty of harbingers of doom: heavy army green felt, lumpy hand knitted sweaters, arm and leg warmers, raw hems, motorcycle boots, turtlenecks pulled up guerrilla style to cover the models' faces, Something About Maryhairdos, and a bevy of blanket capes, blanket shawls, or just plain blankets. (One editor chirpily described Clickkeyword[John+Bartlett]" John Bartlett's matted ponchos as "homeless Eskimo.")Those coverlets were particularly prominent at ORFI, a Downtown design collective that showcased two models huddled together under one monstrous comforter, shivering in the face of an impending nuclear winter. ORFI, which stands for Clickkeyword[Organization+for+Returning+Fashion]" Organization for Returning Fashion Interest an acronym that promises a lot also offered denim dirndl skirts, a