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after is down for his nap, I sew the bottoms shut and I embroider. You need something to do during those downtimes.How do you come up with the ideas for your dolls and mobiles? Really, it's just what comes to me as I make it. I trust myself. The original idea for the mobiles, though, came from a photograph I saw in National Geographic a few years ago of an object made in another culture. Stones that looked like horses were tied with string and strung up. I knew that I wanted to make something like it.You've said that you often daydream and that your imagination can even overshadow reality. There's something definitely fairy tale like about your dolls. My mother and I are both dreamers. I believe we can access things that people outgrow from childhood. For instance, I always imagine what kind of people my dolls would be if they were alive. Some of them look gruff, while others seem warm and kind. A lot of them actually seem familiar, like people I've seen in the world. I have one or two that turned out to have the most hideous expressions all grumpy and sour but I leave them that way. I think that's more interesting, because that's how we are.How much do you two collaborate these days, aside from sharing booths at craft shows? Sproatt: My mom helps me produce the mobiles, particularly the horses and birds. She cuts and sews them according to my prototypes and sends them to me. My work is really a tiny studio operation, so it was getting to be too much for me to do them. I know she'd do more if I needed. Weiss: Hillery doesn't do anything with Rebe anymore per se. But she wears my clothes