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accused of heresy and eventually imprisoned.Meanwhile, Amal grows up to become her country first female paleontologist. Male colleagues who believe it unnatural for a woman to be a scientist often undermine her. Sometimes she pops her specimens in her handbag to take them home rather than expose them to damage from co workers eager to get her out of her job. When she marries, she chooses a man she loves and, most important, one happy to live in their own flat rather than subject her to traditional life with his extended family, where her only roles would be to obey her mother in law and have babies.Because Amal narrates sections of Geometry of God, readers get a portrait of a Muslim woman that far more complex than that of veiled women whose eyes gaze from the covers of so many books about the Muslim world. Certainly, Islamic tradition puts stumbling blocks in Amal way, but her story often reads less like that of the suppressed and more like those of Western women who pioneered their way into jobs traditionally reserved for men.Even more dramatically, Ms. Khan uses Mehwish as narrator of other sections of the novel. For the blind girl, taste and texture fill in for sight. She combines information from these with Amal teaching to create a unique picture of the world. Ms. Khan conveys this in Amal drawings and Mehwish diagrams of the boxes in which she groups people with colors and other things that characterize them. Most challengingly, she shows Mehwish spellings. Based on what she hears, they are often revelatory: becomes cause becomes tin is changes to lit and to take. efforts to