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professional business coaches alliance sprightly overture is played by a live 14 piece orchestra conducted by Daniel Gary Busby. The orchestra is seated on a center balcony platform that soars above the stage. It's also made clear that each and every pole and level that can be seen, will soon be visually and physically incorporated into the upcoming action, as part of the pirate ship's rigging. And, the open canopy of the night above makes the sky the limit. But, before the dashing rogues set the rollicking, tuneful plot in motion with swashbuckling silliness, a flock of soaring seagulls in and swoop gracefully around the audience. They're skillfully manipulated by six puppeteers (elegantly dressed in black and white tuxes), who depart to return with dolphins leaping over imaginary waves. In a stroke of visual genius, Rauch cleverly integrates these tuxedoed manipulators (like silent penguins) throughout the production as they quite visibly and deliberately move set and prop pieces about in the midst of the actors' actions and, in the process, all but steal the show. However, not entirely. First and foremost, this is the work of Gilbert and Sullivan, so the main focus is the score's famously full speed ahead tempos and tongue twisting, witty lyrics that the broadly drawn characters must collectively master. Oregon Shakespeare Festival's fabulous of Penzance ensemble cast is more than up to the task of meeting the exaggerated comedic challenges that await them throughout. Indeed, they solidly conquer the synchronized choreography by Randy Duncan, as well as the world famous, wonderfully wordy songs that alternate smoothly