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the Atlantic Records days" for the ballad "Baby I Love You." But her attitude was the fiercest on a pair of mid set ballads, Keyshia Cole's "I Remember" and the damning "Don't Play That Song" with the blistering chorus of "He lied, he lied, he lied to me." After that song was through, Franklin paraded off stage in a huff, leaving the band to noodle for nearly 10 minutes.Photos by Nick WosikaDressed in a gauzy white bedazzled robe and silver slingback heels, Franklin seemed a little uncomfortable in her getup at times, teetering precariously around the stage as if fearful that her drapey gown would get caught on her seemingly too big shoes. So when she left the stage, it seemed like she might reappear in a new outfit but lo and behold, she returned in the same configuration, though looking recharged from the break. Whatever she did backstage in those 10 minutes helped to give her the energy to push through the rest of the set and make it the strongest part of her performance. She quickly got her forgettable new single, "So Damn Happy," out of the way ("It's available exclusively at Wal Mart"), she told a sweet story about James Moody showing up at one of her shows and performing with her before he passed away. "He was 85 years old, and he wore me out!" she exclaimed. Her rendition of "Moody's Mood for Love" was a tremendous tribute to the jazz legend, and showcased her well oiled scatting abilities.It was the next song, a cover of Simon Garfunkel's "Bridge Over Troubled Water," that was the real surprise of the night, as Franklin moved over to the grand piano and effortlessly started