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83 military junta). The people from the navy, the secret services were following me."With three suitcases and a handbag she headed to Spain, then France, becoming a wandering minstrel. Her pianist and musical director, Popi Spatocco, said exile was exceedingly harsh for a woman who loved Argentina.Sosa returned home to wide acclaim in 1982 in the final months of the dictatorship, which she would ultimately outlive by a quarter century.The following year she released the eponymous album "Mercedes Sosa," which contained several tracks considered among her greatest hits: "Un Son para Portinari" and "Maria Maria"; along with "Inconsciente Colectivo" by Charly Garcia; "La Maza" and "Unicornio" by Silvio Rodriguez; "Corazon Maldito" by Violeta Parra; and "Me Yoy pa'l Mollar," together with Margarita Palacios.Late in life, with South America's military regimes consigned to the dustbin of history, Sosa remained relevant by tapping powerful, universal emotions, singing about stopping war and ending poverty, about findng love and losing loved ones."There's no better example of artistic honesty," her nephew and fellow singer Chucho Sosa said in 2007. "Her songs reflects how she is in life."Sosa won Latin Grammy Awards for Best Folk Album for "Misa Criolla" in 2000, "Acustico" in 2003 and "Corazon Libre" in 2006.She also acted in films such as "El Santo de la Espada" ("The Knight of the Sword"), about Argentine independence hero Gen. Jose de San Martin.Early this decade she took a two year hiatus to recover from a series of falls _ one of which, she said, nearly left her paralyzed.All told, Sosa