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coach charters like the work might otherwise have been left behind, Chris said. I don't know much about Frances and no one on staff today was familiar with her. I did a little hunting through our archives. She was the arts editor and critic at the Journal for decades. Essentially, she's my predecessor.We also found major works that are not on the official list, including a nice John Colt painting, a print series by Bruce Nauman, by far the most important artist in our collection from what I've seen so far, and an etching by John Wilde featuring 75 of the state's most important artists in the last century and a half, in his view. We also have two large still lifes by Mark Mulhern, a pretty fabulous bleed print by Ed Paschke and a watercolor by Lisa Englander all also not on the list.Then there were the artworks that were on the list but not exactly in the most suitable of places back hallways, unused offices and even a few restrooms. There's a really lovely Ruth Grotenrath painting in a ladies room, for instance (see image, left).But the real mystery was that, after combing the major floors of the building, we'd only found a fraction of the work on the list. Where was the bulk of the collection? We called one of our security executives, who zipped over from our Burnham facility (where we print the paper) to help us in the hunt. We started opening utility closets and storage rooms. We found a few pieces in one utility room and, then, we hit the mother lode. There it was, in what looks like an old boiler room and storage closet. Racks and racks of paintings, most of them gathering dust.It's safe to say, our