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his latest studio album, My Beautiful Dark Twisted Fantasy. As with most things in Vernon's increasingly surreal life, he took the experience in stride and seems to think of it as a learning experience."I am just really drawn to how passionate he is," Vernon says of West. There's a childness to his music, and I think that he likes that. And I think that's a good thing. It's free like 'no parents.' It's as simple as that."Vernon says some of that freedom in the studio has informed his own work, along with the other things he's dabbled in between Bon Iver records. "Deciding to mix that Gayngs project was probably like the dumbest business move I ever made on paper, but it taught me so much about how to mix my new record. Every time I've mixed a project, it's always taught me a lot more about how to hear music. So doing the Gayngs thing and doing the Clickkeyword[Volcano+Choir]" Volcano Choir record, all that stuff equally shared in the current information going into the new record. There's all the influences from before, too, that never had a chance to creep in, you know? Like Ellington, with some saxes on the new record."IT'S TEMPTING TO VIEW Justin Vernon's musical progression as a timeline that begins when he holed up in his storied Magical Cabin in the Woods to record his breakout album, For Emma, Forever Ago, and ends when he emerged, all butterfly like, as the confident frontman of a brazen and dynamic rock band.Clickkeyword[Drew+Christopherson]" Drew Christopherson, a co founder of Minneapolis's Totally Gross National Product label and an early friend of Vernon's in Eau Claire, remembers