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coach purses on clearance established background begin when he enters the camera's frame and end when he leaves it. There's no editing involved. He sets up his shots to determine exactly what he wants the viewer to see this much sky, this much land and as long as that framework is correct, anything he does within it is correct, as well.So his instincts as a cinematographer are to try and capture perfectly the space in which a particular part of the story can be told and then let the actors create the story within that space. Ideally, there would be little need for editing, because each shot that you get would be perfect, as long as its design and conceptions were thought through enough beforehand.It's clear early on in day two that these clashing ideals are going to determine, to a large degree, the success of the film. If these two can't find some sort of middle ground, it could be a very long and unrewarding couple of days. All over the building, you can almost make out the sound of fingers being crossed.Artists oppression continues heavier than ever in IranIt seems that the Iranian regime is no longer content to arrest people for their political activities; they are now lashing out at cultural professionals such as film directors, actresses or the sports photographer Maryam Majd, who wanted to document the women football world cup. One is at a loss to understand why, and why now: the film Tehran for sale for instance, has been circulating in Iran for two years. It isn as if the sight of Marzieh Vafamehr uncovered (and clean shaved) head was anything new, demanding immediate action.What could the regime gain