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coach purse discount outlet forces who might be either one of the other two characters or the mysterious Miles Turner, who might or might not be a superhero. Three hours in, and the storyline is so convoluted, with each character coming into contact with every other character unknowingly and each one saving the other's skin unintentionally, that the diagrams that litter the chalkboards are as confusing as the conversations themselves. It's as if the story has become a logic problem: Where is character A in relation to character 3 in scene five? If A didn't see 1 helping 2, then how can A possibly realize that it was S helping 2 rather than 1? I begin to think it's a good thing I chose a choreographer as my director. Essentially indifferent to the philosophical and descriptive regions of the storytelling universe, he compensates with a natural gift for communicating character through language and motivation through speech patterns. First he figures out what someone might say and how he might say it; only then does he bother to figure out why.So, when Will goes off to his computer to write the film's script, he's already miles away from his normal process. Without so much as a line of dialogue in his head, and with an outline already crowded with Byzantine structural complexities and a thoroughly mapped out story arc, he has to learn to adapt his slow moving, introspective, voice driven writing approach to the fast paced, collaborative, story based world of the 48 hour film.For the first hour, things look bleak. This story can't work, he thinks. The structure is too complex, the number of characters too vast, and