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be attracted to both genders.Director Eric Fraisher Hayes instead gave the 70 odd people in attendance on Saturday opening weekend a safe, sweet, domestic dramedy that could have happened in Iowa. Except they sweat in Iowa in August. In this production, hardly anyone sweats.The Independent described the play 2007 London revival as, magine a great Chekhov story crossed with a Tennessee Williams play??nbsp;The tone of this production is rather different: when the play opens, the cast comes bursting onto the scene as one might expect in a musical. At the end of a couple of isolated, down lit soliloquies, I thought they would launch into limb Every Mountain,?or oodnight My Someone.?nbsp;Katy Hidalgo, as Frankie Addams, the pre teen in question and our antiheroine, mopes, slouches, tousles her pixie cut, flip flops between self loathing and self aggrandizement, and invests in those pre teen annoying behaviors that make those years wixt 12 and 20 so painful for all. But the performance is external, and we sense no emotional core of struggle with her hormones and the world around her. The object of the play would seem to be for the audience to connect with Frankie angsts unattractive as it isnd walk in her tortured shoes for a couple of hours. This critic longed for, but, alas, felt no such connection.Moreover, Ms. Hidalgo iss they say down there ute as a June bug,?and it is quite a stretch to believe she is twelve. No attempt is made to adapt her appearance to the character by prosthetic makeup or haircut (Frankie rues aloud that she got a summer crew cut). She has no accentut then most of