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always pleased when two or more of our several excellent criticsho make their own assignmentshose the same production to review . These two couldn't be more different. Oh well, chacun son got.By Ken Bullock'Member of the Wedding,' the sole stage play by novelist Carson McCullers who Gore Vidal once called "An American legend from the beginning" while referring to her "genius for prose" is her adaptation, at the behest of Tennessee Williams, of her own novel. A great success on Broadway in 1950, as her novels were around America, McCullers isn't read so much anymore, nor is her play often stged.But the production of 'Member of the Wedding' (directed by Eric Fraisher Hayes at the Douglas Morrison Theatre in Hayward amply proves it's no faded hit of the past, but a play that deserves to be seen, worthy of an audience, at any time.It tells the tale of Frankie, a kind of tomboy in a town in rural Georgia, during the last days of World War Two. (At one point, Frankie tells of reading about the Atom Bomb.) Her soldier brother is to be married and Frankie, who's "always said" she doesn't believe in love, is strangely moved, and troubled by it. She wants to be somehow united with the happy couple, taken away from the town where she feels herself an outcast.But 'Member of the Wedding' is also about Berenice Sadie Brown, the middle aged black woman who's the housekeeper for Frankie and her father, Frankie's mother having died at her birth. Berenice, as director Fraisher puts it, is "the glue" that keeps the Addamses together and is the repository of memories and reflections, not only for herself