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coach factory outlet online official site predictable Atwood standing ovation, and the trio reciprocated with an encore: a lovely arrangement of "Danny Boy" that capitalized on Bailey's passion with a haunting cello melody.Mendelssohn's "Scottish" Symphony (No. 3 in A minor) rounded out the evening, and while it was generally good, the orchestra seemed to tire somewhat as it moved deeper into the piece, leaving some passages lacking in precision. I enjoyed it more, however, than did the woman sitting in front of me; she seemed personally offended by conductor Randall Fleischer's tempo in the Adagio movement, shaking her head, gesturing to the program and conducting to herself, a beat or two slower than the orchestra.The audience as a whole was not short on enthusiasm. There is a knowing smile conductors give their ensembles on those occasions when the audience, caught up in the moment, applauds between movements rather than waiting for the end of the piece, and it's a good bet that Fleischer exchanged a fair few of these smiles with the orchestra as, movement after movement, the audience expressed its approval. It was fitting, though after all, an audience is only human, too.Arts Listings from The Berkeley Daily Planet"You're going to talk to me! Another happy day!" Samuel Beckett's heroine Winnie addresses her seldom seen husband Willie after he's finally emitted a syllable.But the talking and most of the very local action is Winnie's, primarily, as Beckett's last full length play centers on this older woman's predicament, trapped to the waist in a mound of earth, and on the soliloquy like monologues she delivers to make sense