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characters.Characters must be believable in the setting you have created for them. Some novelists write detailed biographies of their characters and spend a lot of time describing their physical characteristics and the clothes they wear. I don't do this, although sometimes I find a picture in a book or magazine which I cut out and pin up over my desk.Your heroine doesn't have to be beautiful; she can have flaws, but there must be something appealing about her, something the hero admires.The hero can have flaws too and often he and the leading lady get off to a bad start. But he must have some redeeming features even if he does come across as arrogant and overbearing in the beginning think Mr Darcy in 'Pride and Prejudice'.For me, the main plot the story is almost more important than the romance. I really enjoy researching the historical backgrounds to my books from the great Fire of London, the Victorian music hall, and the First World War, right up to the 1960s and the burgeoning swinging London scene.It is easy to get carried away with your research but don't be tempted to include everything, however fascinating those facts may be. The trick is to weave your research into the story so that what happens to your characters is a believable part of that historical background. Otherwise your exciting romantic novel will come across as a historical thesis. I have a rough idea of what I want to happen in my story and where I want my characters to end up but once I have plunged them into that opening situation, I find the plot develops as I go along. There are no hard and fast