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what is coach factory website herself "uncertain about my career direction".In 1995, Geddes was accused of abusing children herself. She sued Australian Consolidated Press for defamation over a Metro magazine article that claimed she and Kel had converted a charity calendar into a commercial venture. The story suggested that Geddes use of props and costumes to depict babies as caterpillars or plum puddings effectively de personalised and objectified the babies ? a mental exercise, it noted, that is "a prerequisite to abuse".She doesn crave acceptance by the art world? "No. That pointless. I understand the subject matter can bring out the cynics. And it a cynical world ? I understand that too. It doesn deter me. A lot of people get a lot of joy out of the images, and that what I concentrate on. "I think we can all get a bit too serious sometimes. I mean, people have fun with their photos of babies and there not a lot wrong with that, is there? The world has got too cynical and serious. If somebody going to say, shouldn photograph a baby in a flower hat, then I like, I sorry, but I don get what you saying. I don agree at all.In a Q section at the back of the book, Geddes poses herself the excellent question, "Why babies?" and answers that it because she adores babies "and everything they stand for". It perhaps this ability to perceive meaning in babies, to see them as metaphors for "absolute promise and potential" that gets Geddes into trouble. Some people think seeing meaning in babies is dippy, like seeing auras or portents in numerology. Others think it reductive or offensive to a baby dignity. They don like babies to be used ? not