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happen, Barry sent me an email saying, 'I know you're retired, but I can't imagine doing "Men in Black" without you. Would you please consider coming out of retirement and doing this film?' And first of all, I'm not retired I'd just won an Oscar (for 'The Wolfman'). I'm just being selective and nobody has to beg for me to do the 'Men in Black' movies. I love them."He loves this one in particular, he says, because he got to do something he's wanted to since the first film, in 1997: re create the BEMs (bug eyed monsters) of his youth. "Retro aliens," he says, "with big exposed brains and fishbowl space helmets and ray guns."Baker himself cameos as an alien, after having popped up in "Men in Black II" as a passport control agent. "One thing that was cut (from this film) that I'm really kind of sorry about is that in the 1960s headquarters, we had a whole group of 'Invasion of the Saucer Men' inspired aliens," he says, referring to the 1957 grade Z classic. "In the scene I'm in, which is this memorial service for Zed, (the former MIB chief, played in the earlier films by Rip Torn) I thought it'd be funny to have one of the 'saucer men' still alive but really old, so we had a version of him in a walker with big Coke bottle glasses on! But it got trimmed."Baker's still visible, however, standing in front of "this one alien we call Jellyfish Guy. I'm wearing alien makeup and my trademark ponytail."With the rise of computer generated effects of which "MIB3" has many, courtesy of visual effects supervisors Jay Redd and Ken Ralston, an old pal of Baker's might the movie be one of the last of the great