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coach handbag factory outlet itself doesn't spell it out until the end of the second episode, so you might want to stop now. (That's a spoiler alert.)The show opens with Sarah, a British punk rock former foster kid washed up in New York and fleeing an abusive relationship, spying a shot at a new life when she witnesses a subway suicide. To start with, she steals the suicide's handbag, and then her identity when she notices how strong the resemblance is. The resemblance doesn't end there. Soon enough, Sarah sees her face everywhere in a suburban soccer mom, a German expat, a Midwestern genetics genius, and even a violent offender. Call it clone wars, but Sarah doesn't even know who the enemy is: Her maker? The other clones, who aren't exactly friendly? Or the religious zealots waging a holy war against them?Orphan Black, co created by Graeme Manson (Flashpoint) and John Fawcett (Spartacus), missteps with how closely it plays to the vest the central conceit, and the show doesn't start to zing until multiple versions of Sarah come out of the woodwork. The slow reveal frustrates, but the slow build at least as evinced in the episodes released to the press works. As Sarah inherits the suicide's job as a cop, procedural elements are threaded into the plot, along with the overarching mystery of the clone business, and are further complicated by Sarah's distressed family life (a foster brother, an abandoned daughter, an embittered surrogate mom) and the piling on dramas of her newly discovered network of clones. They, too, add up to a family of sorts, which isn't to say a familiar face won't knife her in the back should